The Renowned Filmmaker reflecting on His Monumental War of Independence Documentary: ‘We Won’t Work on a More Important Film’
Ken Burns has evolved into beyond being a filmmaker; he is a brand, a prolific creative force. With each new television endeavor premiering on the PBS network, all desire his attention.
He participated in “more fucking podcasts than I ever thought possible”, he says, nearing the end of his extensive publicity circuit that included 40 cities, dozens of preview events plus countless media sessions. “There seems to be a podcast for every citizen, and I believe I’ve appeared on most of them.”
Fortunately Burns is a force of nature, as expressive in conversation as he is accomplished during post-production. The veteran director has gone everywhere from historical sites to The Joe Rogan Experience to promote one of his most ambitious projects: The American Revolution, a comprehensive multi-part historical examination that occupied a substantial portion of his recent years and arrived currently through the public broadcasting service.
Defiantly Traditional Approach
Comparable to methodical preparation in today’s rapid-consumption era, this documentary series proudly conventional, more redolent of traditional war documentaries as opposed to modern online content audio documentaries.
However, for the filmmaker, whose professional life documenting American historical narratives spanning various American subjects, its origin story transcends ordinary historical coverage but foundational. “I recently told collaborator Sarah Botstein the other day, and she agreed: we won’t work on a more important film Burns states during a telephone interview.
Extensive Historical Investigation
Burns and his collaborators and screenwriter Geoffrey Ward drew upon countless written sources plus archival documents. Multiple academic experts, covering various ideological backgrounds, provided on-air commentary together with prominent academics covering various specialties including slavery, Native American history and imperial studies.
Distinctive Filmmaking Approach
The film’s approach will appear similar to fans of historical documentaries. The characteristic technique featured slow pans and zooms across still photos, abundant historical musical selections and actors voicing historical documents.
This period represented Burns built his legacy; decades afterwards, presently the respected veteran of historical films, he can apparently summon any actor he chooses. Collaborating with the filmmaker during a recent appearance, acclaimed writer Lin-Manuel Miranda commented: “A call from Ken Burns commands immediate acceptance.”
All-Star Cast
The lengthy creation process proved beneficial concerning availability. Filming occurred at professional facilities, in relevant places through digital platforms, a tool embraced amid COVID restrictions. Burns recounts collaborating with actor Josh Brolin, who made time during his travels to record his lines as the revolutionary leader prior to departing to other professional obligations.
The cast includes multiple distinguished artists, respected performing veterans, diverse creative professionals, household names and rising talent, Samuel L Jackson, Michael Keaton, Tracy Letts, Damian Lewis, Laura Linney, Tobias Menzies, Edward Norton, David Oyelowo, Mandy Patinkin, small and big screen veterans, Dan Stevens, Meryl Streep.
Burns emphasizes: “Frankly, this may be the best single cast recruited for any project. They do an extraordinary service. Their celebrity status wasn’t the criteria. It irritated me when questioned, about the prominent cast. I responded, ‘These are performers.’ They are among the world’s best performers and they vitalize these narratives.”
Historical Complexity
Nevertheless, the absence of living witnesses, photography and newsreels forced Burns and his team to depend substantially on the written word, weaving together personal accounts of multiple revolutionary participants. This approach enabled to present viewers not just the famous founders of the revolution but also to “dozens of others who are seminal to the story”, numerous individuals never even had a portrait painted.
Burns also indulged his particular enthusiasm for territorial understanding. “I have great affection for cartography,” he comments, “featuring increased geographical representation throughout this series versus earlier productions throughout my entire career.”
Global Significance
Filmmakers captured footage at numerous significant sites throughout the continent plus English locations to document environmental context and collaborated substantially with historical interpreters. These components unite to present a narrative more violent, complex and globally significant than the one taught in schools.
The film maintains, was no mere parochial quarrel concerning territory, taxes and political voice. Rather, the series depicts a brutal conflict that eventually involved numerous countries and unexpectedly manifested what it calls “the noble aspirations of humankind”.
Internal Conflict Truth
What had begun as a jumble of grievances aimed at the crown by American colonists in 13 fractious colonies quickly evolved into a vicious internal war, dividing communities and households and turning communities into battlegrounds. During the second installment, the historian Alan Taylor observes: “The greatest misconception concerning independence struggle involves believing it represented a unifying experience for colonists. It leaves out the reality that Americans fought each other.”
Historical Complexity
According to his perspective, the revolution is a story that “for most of us is drowning in sentimentality and idealization and lacks depth and insufficiently honors actual events, all contributors and the widespread bloodshed.”
Taylor maintains, an uprising that declared the world-changing idea of the unalienable rights of people; a brutal civil war, dividing revolutionaries and royalists; and a worldwide engagement, continuing previous patterns of conflicts between Britain, France and Spain for dominance in the New World.
Unpredictable Historical Moments
Burns also wanted {to rediscover the